Carlos Rolón/Dzine: 50 GRAND

Chicago-based artist Carlos Rolón/Dzine presented a dually charged exploration of boxing and domestic culture, inspired by the tactility and performative qualities of boxing, and its relationship to contemporary art at Tube Factory artspace. Though it was the third iteration of the exhibit, it featured a newly commissioned performative installation of live sanctioned Golden Gloves fights, organized by Indy Boxing and Grappling and sponsored by Top Rank Productions. A robe was also commissioned from Rolón for the boxers to wear before the fights. When the ring was not in use, the robe was on display in the ring.

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Prince Rama

Prince Rama is the musical duo of sisters Taraka and Nimai Larson. They have lived in ashrams, worked for utopian architects, written manifestos, delivered lectures from pools of fake blood, conducted group exorcisms disguised as VHS workouts, installed art installations at The Whitney, Art Basel, and various galleries across the U.S.

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Carl Pope: Mari Evans

Mari Evans:Carl Pope revolved around Indianapolis-based writer Mari Evans. One of the founders of the Black Arts Movement and longtime Indianapolis resident, Evans published her first work “Where Is All the Music” in 1968 followed by “I Am a Black Woman” in 1970. During this time, Evans also worked as a producer, writer, and director of “The Black Experience” (1968-1973) — a history documentary that aired on prime time in Indianapolis.

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Scott Hocking: RCA

Detroit-based Scott Hocking visited Indianapolis in January 2015 and selected the former RCA Factory at Michigan and LaSalle as fodder for his installation. Hocking spent three weeks in Indianapolis gathering materials from the site, documenting, researching, and creating. The resulting installation uses the main gallery as a kind of ceremonial site — the burned Styrofoam mountain could be a dystopian temple or future glacier.

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