Posts in Guichelaar Gallery
Sylvia Thomas: Letters To A Haunted House

Many have experienced grief with the loss of someone close to them, but what if that someone was yourself?

Transgender people have lived and existed in many forms for many centuries. Today, there are many possible (physical, emotional, and mental) changes made by Trans people to feel affirmed in their own body. To “come out” or “transition” has required some Trans people to abandon a self they do not recognize. This act of abandonment and process of grieving one’s self is common for many Queer and Trans people who were not raised in affirming environments.

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Brian DePauli: Not Sorry We’re Closed

Not Sorry We’re Closed is an exhibition inspired by and questions American society’s live-to-work mentality, and is comprised primarily of hyper-realistic oil paintings. DePauli’s pieces preserve and draw attention to objects and scenes from the lighter side of daily life: a worn bicycle seat, a chimney on the grill in summer, a homemade skate ramp in a fenced-in backyard, a ballcap lying in the garden proclaiming “RETIRED, No Phone! No Fax! No Stress! No Worries!” The surface meaning of these items and scenes are emphasized as a lifestyle to aspire to rather than objects to contemplate.

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Benji Dorocke:Matters in E-6- Drawings From The Well

Drawings From The Well explores sources of individual creative spirit and drive. Within the well lies all parts of the self; from the surface we draw from daily, to depths seldom acknowledged. At the point of overflow, the depths begin to rise allowing those motives and feelings to become visible. I find these periodic wellings to be helpful in self understanding, and important to growth. Every well contains all of our influences, memories, and perspectives; the fibers of the self held at varying depths. Multifaceted in our nature; humans take on more interests, roles, and traits than we are often aware of. Trips to the depths of the well can feel treacherous, however with exploration comes clarity upon surfacing.

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Selena Ward: Sentida- A visual memoir

Sentida is a collection of Selena Ward’s recent installation pieces that serves as a visual memoir for her surge in personal reflection and self discovery within recent years. Bookmaking, quiltmaking and image making all feature to dissect her feelings of displacement within her own Chicana identity, explore her obscured ancestral history, and question conflicting ideas on beauty, womanhood, love, domesticity, and loss. 

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